88年欧锦赛的记录片,荷兰三剑客的鼎盛时期. 没有解说，只有背景音乐和字幕。

88年欧锦赛的记录片,荷兰三剑客的鼎盛时期. 没有解说，只有背景音乐和字幕。

19岁的泰奥(Matteo Petrini)满怀创作理想，约翰•方达，布考斯基和比安恰尔迪的传奇故事陪伴他的成长。但突如其来的生活变故让他措手不及：父亲身患疾病，他不得不担起养家糊口的担子。周旋在几份杂工之间，泰奥几乎无暇顾及学业。在他深爱的女孩卡拉(EugeniaCostantini)的帮助下，泰奥却一直没有放弃追求理想。影片描述了泰奥面临的父子关系的微妙转变，求学和工作间的抉择，理想和现实间的挣扎。

“Yours” began with a soundie, a film made for projection in a “film jukebox” in 1945. 　　It was a popular song in its day and, with its sentiment of eternal love, feels poignant in the context of the Second World War and all its separated loves. “Yours” is performed here by the Roberts Brothers and the Bunnell Sisters, who appear to be two sets of twins, and the film’s built-in doubles made it feel right for an experiment I’d been thinking about. 　　What I did was shoot abstract animation literally through the original film. I used a Master Oxberry, once the gold standard of film animation cameras, now sadly verging on extinction. With this camera you can have two rolls of film running at the same time, “bi-pack” — or locked together — at the point of exposure. I shot through the film twice, first through the original and then through a negative of the original. The result is that all the blacks have been replaced by one layer of animation and all the whites by another. The surprise? How indelible the actual soundie is in the final film. It is now visible as the difference between my two replacements. 　　I like to think that I added another twin act. 　　This film and these notes originally appeared in the NYTIMES.COM/OPINION in "The Animated LIfe" by Jeff Scher

19岁的泰奥(Matteo Petrini)满怀创作理想，约翰•方达，布考斯基和比安恰尔迪的传奇故事陪伴他的成长。但突如其来的生活变故让他措手不及：父亲身患疾病，他不得不担起养家糊口的担子。周旋在几份杂工之间，泰奥几乎无暇顾及学业。在他深爱的女孩卡拉(EugeniaCostantini)的帮助下，泰奥却一直没有放弃追求理想。影片描述了泰奥面临的父子关系的微妙转变，求学和工作间的抉择，理想和现实间的挣扎。

“Yours” began with a soundie, a film made for projection in a “film jukebox” in 1945. 　　It was a popular song in its day and, with its sentiment of eternal love, feels poignant in the context of the Second World War and all its separated loves. “Yours” is performed here by the Roberts Brothers and the Bunnell Sisters, who appear to be two sets of twins, and the film’s built-in doubles made it feel right for an experiment I’d been thinking about. 　　What I did was shoot abstract animation literally through the original film. I used a Master Oxberry, once the gold standard of film animation cameras, now sadly verging on extinction. With this camera you can have two rolls of film running at the same time, “bi-pack” — or locked together — at the point of exposure. I shot through the film twice, first through the original and then through a negative of the original. The result is that all the blacks have been replaced by one layer of animation and all the whites by another. The surprise? How indelible the actual soundie is in the final film. It is now visible as the difference between my two replacements. 　　I like to think that I added another twin act. 　　This film and these notes originally appeared in the NYTIMES.COM/OPINION in "The Animated LIfe" by Jeff Scher

南朝谢家嫡长女谢桑宁，琴棋书画与智谋兼备，在及笄之年遭庶妹陷害溺亡，意外穿越为现代南家流落在外的真千金；彼时，养女南思雅以“完美名媛”身份占据南家，屡次设计陷害谢桑宁。谢桑宁凭借古代宅斗智慧与诗书底蕴，以古法茶道揭穿骗局、借《盐铁论》思想助力商战，逐步逆转局势，最终揭露南思雅伪装，从被轻视的“乡下姑娘”蜕变为南家核心人物

这部电影的主人公是一个寻找过去记忆的女人。葛露丽在法国生活20年之后回到故乡伊朗北部城市拉什特，首先遇到的是经营相框商店的帕尔哈德。帕尔哈德说葛露丽是他小时候的同学，但葛露丽对此毫无印象。然而帕尔哈德还记得葛露丽小时候的事情，而且还很熟悉葛露丽已经去世的母亲。帕尔哈德就像是他做的相框把照片保存完好一样，所有的记忆也都保存在他的脑海里。然而葛露丽却什么都想不起来，她在帕尔哈德的帮助下，去和曾经认识的人们见面，也逐渐找回了失去的记忆，发现了帕尔哈德的过去。

这部电影的主人公是一个寻找过去记忆的女人。葛露丽在法国生活20年之后回到故乡伊朗北部城市拉什特，首先遇到的是经营相框商店的帕尔哈德。帕尔哈德说葛露丽是他小时候的同学，但葛露丽对此毫无印象。然而帕尔哈德还记得葛露丽小时候的事情，而且还很熟悉葛露丽已经去世的母亲。帕尔哈德就像是他做的相框把照片保存完好一样，所有的记忆也都保存在他的脑海里。然而葛露丽却什么都想不起来，她在帕尔哈德的帮助下，去和曾经认识的人们见面，也逐渐找回了失去的记忆，发现了帕尔哈德的过去。

玛莎是一个来自郊区的女孩，来自一个极端贫困的家庭。她生活在现实中，她关心她的祖母和弟弟，梦想着自己的家庭和丈夫；她非常渴望温暖、爱和关怀。她对自己的重病一无所知。在与挽救她生命的心脏病专家Matvei Sergevich会面后，她的生活突然发生了变化。